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Linked Open Data
'As 'pedras' modernas. Voltou 'feminista' a ser um insulto?'
Identificadors del recurs
1645-1112
http://hdl.handle.net/2445/154129
671746
Procedència
(Dipòsit Digital de la Universitat de Barcelona)

Fitxa

Títol:
'As 'pedras' modernas. Voltou 'feminista' a ser um insulto?'
Matèria:
Feminisme
Feminism
Descripció:
A citação de Novas Cartas Portuguesas que me foi atribuída como mote - "e nas nossas costas cairão nomes como pedras" - levou-me, num primeiro momento, a pensar sobre as "pedras-monumento" e em construir a minha intervenção sobre os mecanismos e consequências da canonização para ver como, em muitos casos, essa canonização - a homenagem, o "monumento" - é usada para desativar o potencial "perigo" de uma escritora.
Font:
Articles publicats en revistes (Llengües i Literatures Modernes i Estudis Anglesos)
Idioma:
Portuguese
Relació:
Reproducció del document publicat a: https://doi.org/10.21747/16451112/litcomp35a19
Cadernos de Literatura Comparada, 2016, num. 35, p. 333-344
https://doi.org/10.21747/16451112/litcomp35a19
Autor/Productor:
Losada, Elena, 1958-
Editor:
Instituto de Literatura Comparada Margarida Losa
Drets:
cc-by (c) Losada, Elena, 1958-, 2016
http://creativecommons.org/licenses/by/3.0/es
info:eu-repo/semantics/openAccess
Data:
2020-03-27T08:09:58Z
2016-12
2020-03-27T08:09:59Z
Tipus de recurs:
info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Format:
12 p.
application/pdf

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    8. < mods:abstract > A citação de Novas Cartas Portuguesas que me foi atribuída como mote - "e nas nossas costas cairão nomes como pedras" - levou-me, num primeiro momento, a pensar sobre as "pedras-monumento" e em construir a minha intervenção sobre os mecanismos e consequências da canonização para ver como, em muitos casos, essa canonização - a homenagem, o "monumento" - é usada para desativar o potencial "perigo" de uma escritora. </ mods:abstract >

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    5. < dcterms:abstract > A citação de Novas Cartas Portuguesas que me foi atribuída como mote - "e nas nossas costas cairão nomes como pedras" - levou-me, num primeiro momento, a pensar sobre as "pedras-monumento" e em construir a minha intervenção sobre os mecanismos e consequências da canonização para ver como, em muitos casos, essa canonização - a homenagem, o "monumento" - é usada para desativar o potencial "perigo" de uma escritora. </ dcterms:abstract >

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